Twenty minutes, seven kilos
Inside the live pressure of Menton: closing a large egg form in red sandy clay, then chasing width, height, and control in front of a public audience.
Read the journal note ↗Notes from
the clay.
Stories that sit behind the finished object: studio experiments, exhibition encounters, competition pressure, and the people who shape the practice.
Issue 001 / First editionStudio
Studio
dispatches.
Experiments and observations behind the finished work.
Argilla Frattura: six practices meet
Ceramic, painting, digital art, and sculpture share a room at Matteo Mauro Studio—held together by the ongoing Gruppo Cosmo conversation.
Read the journal note ↗
Why the wheel remains the center
Repetition is not about making the same object. It is a way to notice the tiny changes in pressure, timing, attention, and intention that turn technique into language.
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Traces in Menemen
A festival, a competition, and an exhibition of 75 young artists: three days in Türkiye where the wheel became both performance and shared language.
Read the journal note ↗Inside the practice
The journal follows what a finished object cannot show: uncertainty, travel, failure, pressure, and discovery.
Studio diaries, competition notes, exhibition encounters, and material experiments offer another way into the decisions and discoveries behind each object.