Clay as a place
to meet.
Menemen brought the private discipline of the studio into a public, international setting. Across three days, technique was shared in real time—through demonstrations, conversation, observation, and the direct experience of making beside other artists.
This record follows Daniel Pontoriero through the 2026 festival as DAPOTTERY Studio. It is less a list of results than a view from inside the event: the arrival, the people, the scale of the gathering, and the energy that forms when clay is worked in public.